Greg Kurstin (Adele, Maren Morris) brings his trademark gravitas to the cutting but compassionate breakup ballad “Jaded.” Kid Harpoon, who recently took home a Grammy for Harry Styles’ Harry’s House, has fingerprints all over the LP, as on powerhouse opener “Flowers,” Cyrus’ biggest single since 2013’s “Wrecking Ball.” Tyler Johnson, a fellow Nashvillian with credits ranging from Taylor Swift to Toni Braxton, pairs well with Cyrus, his own catholic tastes dovetailing nicely with hers. She tapped four producers to help helm the album, each with an ear toward one of Cyrus’ primary lanes. On eighth LP Endless Summer Vacation, Cyrus finally finds a way to bring these seemingly disparate parts together. Who, exactly, is Miley Cyrus? Is she the country music progeny turned former child star turned pop provocateur, twerking on awards shows and throwing middle fingers to critics? Is she the hopeful young balladeer, lending her naturally emotive voice to Top 40 anthems like 2009’s “The Climb”? Or is she the rock star in hiding, getting trippy with The Flaming Lips on their collaboration Dead Petz and channeling her inner Joan Jett on 2020’s Plastic Hearts? While her shifting identities can distract from her formidable musicianship, it is exactly this restless, chameleonic nature that makes Cyrus one of our more engaging and enduring pop stars.
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